About the artist
Working primarily in silkscreen, James Bristow produces expressive geometric abstractions defined by vibrant colour and off-kilter repetition. His practice is a deliberate push-back against an increasingly filtered and artificial world, prioritising the visible hand of the maker over digital perfection. Each pull of the squeegee is an attempt to capture spontaneous energy, valuing looseness and the physical act of making over rigid design.
While paper and canvas are staple surfaces, Bristow's experimental "what if" approach frequently leads him to less conventional materials. Printing on chiffon, tulle, and various other fabrics allows him to investigate how ink sits on different textures and weights. This material curiosity is paired with a minimal formal language that relies on a generous use of colour to create a sense of motion.
The work is also an emotional and social response to contemporary division. Motivated by a heightened sensitivity to inequality, Bristow uses bold forms to celebrate unity in difference. The Seneca phrase, "we are waves of the same sea," serves as a recurring motif and a conceptual anchor for a more optimistic, joyful vision of the world. Ultimately, these prints are intended to be physical experiences rather than intellectual puzzles—pieces that reward the viewer through visual energy and the suggestion of movement.
This work of art has been shortlisted for the Fen Ditton Gallery Contemporary Printmaking Prize and is exhibited at the gallery from the 23rd May - 14th June
To acquire this work of art, complete the enquiry form above or contact info@fendittongallery.com
Return to the Contemporary Printmaking Prize exhibition page here