Continuing our occasional series of exhibitions that highlights artists’ response to colour, Between Light and Shadow explores the moments when colour is removed allowing tone, gesture and line to speak for itself.
Continuing our occasional series of exhibitions that highlight artistic responses to colour, Between Light and Shadow brings together artists and makers, across generation, whose work is rooted in the monochromatic spectrum, allowing tone, gesture and line to speak for itself.
Inspired by gallery owner Lotte’s background in black and white photography, the exhibition will include her own photographs alongside works by celebrated landscape photographer Paul Hart and 1970’s fashion photographer James Wedge.
The art of printmaking in black and white will be celebrated through etchings by the Norman Ackroyd RA, Sarah Gillespie and Roger Law, wood-engravings by Andy English, linocuts by Andrew Carter and monotype prints by Fiona Fouhy. We are once again delighted to be working with The Print Studio, Cambridge to exhibit screenprints by Stephen Chambers RA and Willard Boepple, as well as a collection of rarely-seen woodcuts by Kip Gresham.
Other works include charcoal drawings by emerging artist Olly Williamson, first exhibited in Voices in Drawing II (2024), wooden turned vessels by Jim Partridge, ceramics by Cambridge-based potter David Stonehouse, sculptural textiles by Hannah White and mixed media drawings by David Emond.
Saturday 4th October at 11am: Guided Tour and Coffee Morning
Exhibition opening times
Saturday 13th September - Sunday 5th October 2025
Open weekends 10am - 5pm
Other times by appointment (info@fendittongallery.com to book)
Between Light and Shadow: Works for Sale
All enquiries can be made to Hannah on info@fendittongallery.com
Collection is free. Shipping costs may vary and will be calculated upon enquiry - please include your delivery address
Date: 2017
Screenprint on Somerset Velvet 300gsm
Size (unframed): 56 × 62.9cm
Edition size: 20
Published by Kip Gresham Editions and carries the studio blindstamp
Framed
Screenprint on Arches Noir 250gsm
2015
Edition of 40
Printed with Kip Gresham at The Print Studio, Cambridge
Print size: 67.7 × 90cm
Framed
“Bee Orchids is a wood engraving that is based on a particular location on the Suffolk coast where I have been monitoring a small group of bee orchids for a few years. They are on a cliff-top which is retreating due to erosion, and the number of plants is dwindling.”
Wood Engraving, edition of 100
Image size: 10 x 7.5 cm with generous margins
Unframed
The block was engraved by hand and printed onto smooth, off-white acid free paper using a Victorian Albion handpress.
“This engraving shows a Little Owl looking out from a hole in a tree. I enjoyed engraving both the owl and the textures of the tree bark. Owls have long been a favourite bird to engrave.”
Wood Engraving, edition of 100
Image size: 11 × 9 cm with generous margins
Unframed
The block was engraved by hand and printed onto smooth, off-white acid free paper using a Victorian Albion handpress.
“This wood engraving shows Charmouth beach in Dorset, UK. This area is renowned for its fossils, a subject which has fascinated me since childhood - in fact I achieved a Degree in Geology long before I became a printmaker. Apart from some ammonites, the print features a part exposed fossilised skeleton of an Ichthyosaur.”
Wood Engraving
Edition has sold out and only a few artist proofs remain
Image size: 15 × 10 cm with generous margins
Unframed
The block was engraved by hand and printed onto smooth, off-white acid free paper using a Victorian Albion handpress.
Etching and monotype print
Varied edition (VE)
A/P from an edition of 20
Print size: 34.5 × 28.5cm
Framed
Etching and monotype print
Varied edition (VE)
A/P from an edition of 20
Print size: 48 × 35cm
Unframed
Etching and monotype print
Varied edition (VE)
A/P from an edition of 20
Print size: 34.5 × 28.5cm
Unframed
Sarah Gillespie’s latest mezzotint engraving in her ongoing study of the endangered UK moth species
Mezzotint engraving
2024
Edition of 30
Image: 62.5cm x 50cm
Framed: 77 × 65cm
Sarah Gillespie’s latest mezzotint engraving of a song thrush
Mezzotint engraving
2025
Edition of 25
Image size: 17.5 × 13cm
Paper size: 31cm x 24.5cm
Artist-made selenium toned silver gelatin print
Ed. 1/15
Image size: 31.5 × 24.5cm
Overall framed size: 49 × 42.5cm
Museum standard conservation framing - print under traditional window mount
Artist-made selenium toned silver gelatin print
Last remaining print in the edition: 12/12
Image size: 50 x 40cm
Overall framed size: 74 x 63cm
Museum standard conservation framing with AR70 glass
Artist-made selenium toned silver gelatin print
Ed. 2/50
Image size: 18 × 18cm
Overall framed size: 32 x 32 cm
Museum standard conservation framing - print under traditional window mount
Artist-made selenium toned silver gelatin print
Ed. 2/50
Image size: 18 × 18cm
Overall framed size: 32 x 32 cm
Museum standard conservation framing - print under traditional window mount
Artist-made selenium toned silver gelatin print
Ed. 1/15
Image size: 31.5 × 24.5cm
Overall framed size: 49 × 42.5cm
Museum standard conservation framing - print under traditional window mount
Artist-made selenium toned silver gelatin print
Ed. 1/15
Image size: 31.5 × 24.5cm
Overall framed size: 49 × 42.5cm
Museum standard conservation framing - print under traditional window mount
Artist-made selenium toned silver gelatin print
Ed. 1/15
Overall framed size: 43 × 43cm
Museum standard conservation framing - print under traditional window mount
Artist-made selenium toned silver gelatin print
Ed. 3/8
Size : Overall / image 440 x 440 mm
Museum standard conservation framing - print dry mounted onto aluminium
Dry point sugar lift etching
Print edition of 25
71.5cm x 53cm
Unframed price: £560
Framing available upon request
Date: 2017
Screenprint on Somerset Velvet 300gsm
Size (unframed): 56 × 62.9cm
Edition size: 20
Published by Kip Gresham Editions and carries the studio blindstamp
Framed